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Lankavatara 2:IX verses part 2

This session follows the final verses of Chapter 2.IX, with sustained attention to Yogācāra’s account of karmic appearance and the structure of mind-only experience. The painter and ocean metaphors are unpacked to show how perception arises from perfumed seeds and mistaken construction. A discussion of Bodhidharma’s Two Entrances is used to clarify how early Zen aligned with the Laṅkāvatāra—not philosophically, but functionally—through direct realization of mind. “Suchness” is handled without reification, and teachings are presented as conditional rather than final. The session closes without synthesis, keeping attention on how language, perception, and practice co-arise.

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Lankavatara 2:IX:5-8

This session dives deep into the Laṅkāvatāra Sūtra’s deconstruction of perception, exploring how karmic tendencies shape consciousness through perfumed appearances (nimitta). We unpack the illusion of cessation, the wave mechanics of ālaya-vijñāna, and the recursive logic of self-projected realms. A dense but embodied discussion on how liberation arises not from silence, but from non-grasping.

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Lankavatara 2:IX:3-4

This talk explores how perception arises from four conditions, including storehouse perfuming and the desire for multiplicity. We examine how beginningless patterns shape our view, how purification is about appropriateness, and how liberation involves skillful participation in the being–becoming flow. Framed through Yogācāra insight, we close with a reminder: the playground includes even the hardest moments.